Benoy K Behl’s show reveals the hidden gems of the Ajanta Caves to the world

Context: Carved into a horseshoe-shaped cliff along the Waghora River in Maharashtra, the 29 Ajanta caves hold a rich collection of rock-cut architecture and exquisite mural paintings. Benoy K Behl, a filmmaker, art historian, and photographer, illuminates these treasures in his ongoing exhibition, "Lost Ancient Art Revealed!" at the India International Centre (IIC).

About Ajanta Caves:

Ajanta Caves to the world
  • Situated in the Sahyadri ranges along the Waghora river near Aurangabad in Maharashtra, Ajanta comprises a series of rock-cut caves.
  • Of the total 29 caves, 25 served as Viharas or residential caves, while the remaining 4 functioned as Chaitya or prayer halls.
  • These caves were developed during the period spanning from 200 B.C. to 650 A.D.
  • Buddhist monks, supported by the Vakataka kings, particularly notable among them being Harishena, inscribed the Ajanta caves.
  • The figures within these caves were created using fresco painting, showcasing a remarkable level of naturalism.
  • The thematic focus of the paintings predominantly revolves around Buddhism, depicting scenes from the life of Buddha and Jataka stories.
  • Among the 29 caves, five were developed during the Hinayana phase, while the remaining 24 were created during the Mahayana phase of Buddhism.
  • References to the Ajanta caves can be found in the travel accounts of Chinese Buddhist travelers Fa Hien and Hieun Tsang.
  • Notable sculptures from the Ajanta Caves include:
    • Mahaparinirvana of Buddha in Cave No. 26.
    • Depiction of a Naga king and his consort in Cave No. 19.
Depiction of a Naga king and his consort in Ajanta cave

About Ajanta Cave Paintings: 

  • The Ajanta Cave Paintings, among the oldest murals in the Indian subcontinent, were intricately carved from volcanic rocks.
  • Notably, murals in cave no. 9 and 10 belong to the Sunga period, while the remaining caves date back to the Gupta period.
  • Common themes range from Jataka stories to the life of Buddha, incorporating elaborate decorative patterns of flora and fauna. The walls are adorned with graceful poses of both humans and animals.
  • The medium of painting involved the use of vegetable and mineral dyes, with red ochre outlining the figures and contours in shades of brown, black, or deep red.
  • Notable paintings at Ajanta include scenes from the Jataka stories depicting the Buddha's former lives as a bodhisattva and the life of Gautama Buddha.
  • Cave 1 showcases paintings of various Bodhisattvas in a tribhanga pose, including Vajrapani, symbolizing Buddha's power, Manjusri as a manifestation of Buddha's wisdom, and Padmapani (Avalokitesvara) representing Buddha's compassion.
  • Additionally, Cave 16 features the depiction of the Dying Princess, while scenes from the Shibi Jataka and Matri-Poshaka Jataka narratives unfold in other caves, illustrating profound moral tales from ancient Indian folklore.

Prelims PYQ 2021:

Q. Which one of the following statements is correct?

(a) Ajanta Caves lie in the gorge of the Waghora River.

(b) Sanchi Stupa lies in the gorge of the Chambal River.

(c) Pandu-lena cave shrines lie in the gorge of the Narmada River.

(d) Amaravati Stupa lies in the gorge of the Godavari River.

Answer: (a)

    • The Ajanta caves, along the left bank of the Waghora River in the Ajanta hills, showcase remarkable excavations.

    • Situated near Bhopal in Madhya Pradesh, on the banks of the Betwa River, the Sanchi Stupa is a notable structure.

    • Situated along the Gomai River, the Pandu-lena caves form an ancient complex of rock-cut sculptures. Also recognized as Nasik Caves, Tirthankar Leni, Panch Pandav, or Pandav Leni Jain Cave, this site holds historical significance.

    • Amaravati stupa is positioned on the South bank of the Krishna River in the Gunter district, Andhra Pradesh. It contributed to the heightened prominence of Theravada Buddhist practice in the region.


Practice Question for Prelims: 

Q. Consider the following statement:

1. The most significant depictions of Bodhisattvas Padmapani and Vajrapani are often associated with Ellora caves.

2. The 29 caves discovered at Ajanta are associated with Hinduism, Buddhism and Jainism.

3. The accounts of Ajanta caves can be found in records of Buddhist monk Fa-Hien.

How many of the statements given above is/are incorrect?

(a) Only one

(b) Only two

(c) All three

(d) None

Answer: (b)

Statement 1 is not correct: The two most famous individual painted images at Ajanta are the two over-lifesize figures of the protective bodhisattvas Padmapani and Vajrapani on either side of the entrance to the Buddha shrine.

(Boddhisatva of Compassion: Padmapani)

(Bodhisattva of Power and Strength: Varjapani)

Statement 2 is not correct: All the 29 caves at Ajanta are associated with Buddhism. These rock-cut Buddhist cave monuments are dated from the second century BCE to around 480 CE. Recognized as a UNESCO World Heritage Site, the Ajanta Caves are widely acclaimed as masterpieces of Buddhist religious art.

Statement 3 is correct: The travel narratives of Chinese Buddhist travellers Fa Hien (during the rule of Chandragupta II; 380-415 CE) and Hieun Tsang (during the reign of Emperor Harshavardhana; 606-647 CE) provide references to the Ajanta caves. The artistic representations within these caves were created through the technique of fresco painting.

Hence, option (b) is the correct answer. 

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