Context: Tabla maestro and one of the greatest Cultural ambassadors of India, Ustad Zakir Hussain, passed away at the age of 73 in the US. He is known to take Indian classical music to the global stage.
Relevance of the Topic: Prelims: Important facts about Zakir Hussain; Hindustani Classical Music.
About Zakir Hussain

- He was the son of table maestro Ustad Alla Rakha.
- He was known for incredible speed, dexterity, and creativity, mesmerising audiences across cultures and making him one of the greatest musicians of all time.
- Specialisation: Hindustani Classical Music, Jazz and fusion.
- He lent his musical genius to many Bollywood movies such as Parasmani, Muhafiz, Mr and Mrs Iyer, Parzania and Manto.
- Awards:
- Government of India's Sangeet Natak Akademi Award in 1990, Sangeet Natak Akademi Fellowship (Ratna Sadsyata) in 2018.
- United States’s National Heritage Fellowship, the highest award given to traditional artists and musicians.
- He has won four Grammy awards.
- Biography: Zakir Hussain: A Life in Music written by Nasreen Munni Kabir.
About Hindustani Classical Music
- Hindustani Classical Music draws inspiration from Rigveda, Yajurvedic chants and Natya Shastra (gives information on scales, melodic forms, tala and musical instruments).
- Key texts in Hindustani Music:
- Brihaddesi by Matanga compiled between 8th-9th century AD.
- Sangeeta Ratankara written by Sarangadeva (13th century AD)
- Tala System: Tala is the cyclic arrangement of time units which is central to Hindustani Classical Music.
- Two broad categories of Musical forms:
- Anibaddha Sangeet: Free-flowing music, not restricted by meaningful words and tala. Its finest form is the alap.
- Nibaddha Sangeet: Structured compositions with tala and lyrics, such as Dhrupad and Khayal. Prabhandha is a specific type of Nibaddha.
- Of all known prabandhas, Jayadeva’s (12th century) compositions are best known. His significant work was Gita Govinda, and his songs are ashtapadis (each song has eight couplets).
Main styles of singing in Hindustani Music:
There are 10 main styles of singing in Hindustani music like the Dhrupad, Dhamar, Hori, Khayal, Tappa, Chaturang, Ragasagar, Tarana, Sargam and Thumri.
- Dhrupad: Oldest surviving classical style of Hindustani vocal music. It refers to both the poetry's verse structure and the manner in which it is sung. In the mediaeval era, dhrupad rose to prominence as the primary singing style.
- Baba Gopal Das, Swami Haridas, and Tansen (who was regarded as one of the Navaratna or nine gems of the Mughal court) were supported by Akbar.
- Man Singh Tomar, the Maharaja of Gwalior was responsible for the enormous vogue of Dhrupad. Bean and Pakhwaj were associated with Dhrupad.
- Khyal: It means the idea or imagination is a Persian term. As it allows for more improvisation, this style is well-liked by artists. It is built on a collection of brief songs with two to eight lines. Khyal composition is typically also referred to as a Bandish.
- The origin of this style was accredited to Amir Khusaru (13th century). It attained its maturity at the hands of Niyamat Khan Sadarang and Adarang of the 18th century.
- Amir Khusrau is believed to have invented the sitar and the tabla and is said to have introduced new ragas.
- There are Gharanas in Khayal which are schools of singing founded or developed by various individuals or patrons such as king or nobility. Important gharanas are Gwalior gharana (oldest), Agra gharana (founded by Khuda Baksh) and Jaipur gharana (directly took off from Dhrupad), Rampur Saheswan gharana (Uttar Pradesh).
- The origin of this style was accredited to Amir Khusaru (13th century). It attained its maturity at the hands of Niyamat Khan Sadarang and Adarang of the 18th century.
- Thumri and Tappa: Thumri is a love song whereas Tappa consists of the song uttered in a fast note pattern.
- Tarana Style: In this style, the rhythm plays a very crucial role and uses many words that are sung at a fast tempo. The origin of this style was also accredited to Amir Khusaru.

















